The Metropolitan Opera: The Marriage of Figaro ending explained
Spoiler summary page for informational search intent.
What happens at the end?
Richard Eyre’s elegant production, which opened the Met’s 2014–15 season, sets the action of Mozart’s timeless social comedy in a manor house in 1930s Seville. Ildar Abdrazakov leads the cast as the resourceful Figaro set on outwitting his master, the philandering Count Almaviva, played by Peter Mattei. Marlis Petersen sings Susanna, the object of the Count’s affection and Figaro’s bride-to-be, Amanda Majeski is the Countess, and Isabel Leonard gives a standout performance as the pageboy Cherubino. Music Director James Levine on the podium brings out all the humor, drama, and humanity of Mozart’s score.
Why it matters
The ending resolves the main conflict and sets up the emotional takeaway of the story. As the index grows, this block can be auto-generated with more detailed scene-level commentary.
FAQ
Does this page contain spoilers?
Yes. The explanation summarizes major ending events and interpretation.
Where can I find similar endings and themes?
Check the similar movies page for related tone and narrative structure.